The new colombian symphonic and choral music

Authors

  • Cecilia Espinosa Arango Universidad EAFIT
  • Gabriel Andrés Rodríguez Zuluaga Universidad EAFIT

DOI:

https://doi.org/10.17230/ricercare.2014.1.5

Keywords:

Symphonic works, study, rehearsal, recording, musical analysis, composition

Abstract

The academic musical development reached in scholarly symphonic composition in our country has influenced a meaningful number of composers of a large volume of works of differing shapes, sizes and particularities in orchestration. These works deserve to be studied, analyzed, performed, recorded and widely disseminated, nationally and internationally. Our project will continue in the near future and has had a methodology consistent in the recollection, analysis, study, rehearsal and recording of those Colombian works that, through the research process itself, could be ranked in an internationally acceptable level, in order to make their aesthetic and artistic values visible to the music world. We want to preserve now and in the future, works that have been performed more and reached some public acceptance and others that have obtained a moderately good premiere in the country or that have at least gained a first public appearance without a significant audience and specialized critics.

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Author Biographies

  • Cecilia Espinosa Arango, Universidad EAFIT

    Musical Studies Group, New Symphonic and Choral Music Line of Colombia, Director of the Symphony Orchestra of the EAFIT University, Professor of Orchestral and Choral Conducting in undergraduate and master's degrees in the Department of Music.

  • Gabriel Andrés Rodríguez Zuluaga, Universidad EAFIT

    Research assistant

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Published

2013-12-07

Issue

Section

Artículos

How to Cite

Espinosa Arango, C., & Rodríguez Zuluaga, G. A. (2013). The new colombian symphonic and choral music. Ricercare, 1, 86-96. https://doi.org/10.17230/ricercare.2014.1.5