El concierto para piano y orquesta Delly Inkir de Mario Gómez Vignes una experiencia según el intérprete
DOI:
https://doi.org/10.17230/ricercare.2014.2.7Keywords:
Piano, concierto para piano, música latinoamericana, compositores latinoamericanos, intérpretes, música contemporánea, estreno mundial, concursos de piano, Mario Gómez-Vignes.Abstract
This article tells of the experiences the interpreter confronted through the process of conception, preparation, and opening of the concert, abstracting the difficulties and virtues that had to be faced. How does the opening of a concert by such a relevant composer comes about? What is behind its name? How is the preparation of the opening? What are the difficulties faced during the preparation? These are some of the questions that the players ask themselves when confronting the first presentation of a musical piece. The author considers it is essential to contribute in the formation of an analytical and observed opinion about the role posed by interpreters when accepting to play a piece for the first time, either in a symphonic or chamber format.
Downloads
References
*Arango, D. Colombian piano music for four hands: a historical context and performance catalog. Disertación doctoral, University of Iowa, 2013. Recuperado el 22 de marzo de 2014, de: http://ir.uiowa.edu/ etd/4814
* El Tiempo (s.d.). Entrevista realizada al maestro Mario Gómez-Vignes. Recuperado el 23 de marzo de 2014, de: http://www.eltiempo.com/colombia/cali/ARTICULO-WEB-NEW_NOTA_INTERIOR-9720064.html
*Propellerheads (s.d.). Reason. Recuperado el 22 de marzo de 2014, de; https://www.propellerheads.se/products/reason/
* Universidad del Valle (2006). Concurso de música iberoamericana para piano “Luis Carlos Figueroa”. Recuperado el 23 de marzo de 2014, de: http://iberopiano. univalle.edu.co/I%20Concurso%20de%20Musica%20Iberoamericana%20para%20Piano%202006.html
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
