Firefly Elegy

Authors

  • Gilad Cohen Ramapo College of New Jersey

DOI:

https://doi.org/10.17230/ricercare.2020.13.1p

Keywords:

Ensemble, Contemporary Music, Winner of the Penn State 2020 International Call for Scores

Abstract

Firefly Elegy uses a 12-note melodic theme, which through the course of the piece undergoes a series of transformations - mirroring the metamorphosis that takes place over a firefly's brief life span. The piece comprises four sections that reflect the four life stages of the firefly. During the motionless egg stage, some types of fireflies glow dimly; the opening section of the piece (following a short fanfare of flashing-light) is likewise static and calm, while at the same time features an internal motion hinting at subdued energy. The following groovy section is at times aggressive, not unlike the firefly during its larva stage, when it is hunting and digesting insects using special enzymes. The firefly hibernates through the pupa stage - reflected in the third section of the piece by seemingly everlasting sustained chords in the strings. Like a flash of light, each new phrase begins with an ascending scale, while the harp provides groups of repeated notes, recalling the synchronized flashes that are found in groups of tropical fireflies. Firefly Elegy ends with an elegy in which the now mature firefly looks back at its life. It has gone through such an extensive journey but only long enough to mate and lay eggs, sometimes without feeding during its adult stage. In the summertime, I often watch the firefly in his lonely flutter, flashing about and looking for a mate so he can complete the sole purpose of his short life before dying away. He must sometimes look back and wonder: was it all worth it?

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Author Biography

  • Gilad Cohen, Ramapo College of New Jersey

    Gilad Cohen is an active composer, performer, and theorist in various genres including concert music, rock, and music for theater. Recent engagements include commissions by Barlow Endowment for Music Composition, Concert Artists Guild, Parlance Chamber Concerts, and Tre Voci (Kim Kashkashian, Marina Piccinini and Sivan Magen); performances by violist Paul Neubauer, pianists Anne-Marie McDermott and Spencer Myer, Lysander Piano Trio (Itamar Zorman, Liza Stepanova and Michael Katz), Israeli Chamber Project, and principal players of the Metropolitan Opera Orchestra and Budapest Festival Orchestra; and releases on Albany Records, Naxos/Delos and Navona Records. Notable awards include the 2016 Barlow Prize, the Israeli Prime Minister Award for Composers, and top prizes in international competitions in the US, Europe, Asia and the Middle-East. Gilad performs regularly with various ensembles around the US, playing piano, bass guitar and guitar. An Associate Professor of Music at Ramapo College of New Jersey, Gilad holds a Ph.D. in composition from Princeton University. His research about the music of Pink Floyd has resulted in publications in academic journals, lectures in the US and Israel, and the first-ever academic conference devoted to the band that Gilad produced in 2014 at Princeton University together with composer Dave Molk. www.giladcohen.com

Additional Files

Published

2020-09-17

Issue

Section

Sheet music