Daniela Serna: From the Expanding Text to the Limits of Shape

Authors

DOI:

https://doi.org/10.17230/co-herencia.17.32.13

Keywords:

Colombian art, conceptual art, visual poetry, concretism, word art, comparative literature

Abstract

Daniela Serna (Medellín, 1991) conducts research and creates works of art on the transition between a literary verbal object and a visual artifact of a plastic and esthetic nature. Her work expands on the idea of formal literature, where the temporal and sensorial dimensions are in the reader’s imagination, to propose visual poems that encourage an experience of meaning that augments or blurs the limits of what is possible. This review deals with a set of works, the core topic of which enables multiple readings, which are carefully selected using a collection of ideological, political, and esthetic signs that the artist brings into her work and that allow us to question the relationship between the represented fictional world and the reader or observer’s representation.

Author Biography

  • Fernando Mora Meléndez, Universidad EAFIT

    Magíster en Dramaturgia y Dirección de la Universidad de Antioquia. Profesor del Departamento de Comunicación Social​ de la Universidad EAFIT, Medellín.

References

Barthes, R. (1993). Lección inaugural de la cátedra de semiología lingüística. En El placer del texto (pp. 111-150). Siglo XXI.

Borges, J. (1997). El Aleph. Alianza.

Chartier, R. (2006). Materialidad del texto, textualidad del libro. Orbis Tertius: Revista de Teoría y Crítica Literaria, 11(12), 1-15. https://bit.ly/2WuGBL5

Cisneros Fontanals Art Foundation (CIFO). (2018). Strategic Inmersions: First Stop 2018. Grants & Comissions Program Exhibition. Cisneros Fontanals Art Foundation.

Guash, A. (2005). El arte último del siglo XX. Alianza.

Machado, A. (1974). Obras: Poesía y prosa. Losada.

Sánchez, J. (1992). Dramaturgias de la imagen. Ediciones de la Universidad de Castilla-La Mancha.

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Published

2020-06-24

How to Cite

Mora Meléndez, F. (2020). Daniela Serna: From the Expanding Text to the Limits of Shape. Co-herencia, 17(32), 297-304. https://doi.org/10.17230/co-herencia.17.32.13