El Objeto como reliquia. La obra artística de Erika Diettes, bajo la dirección de Virginia de la Cruz Lichet y Luis Carlos Toro Tamayo (2025), Éditions de l’Université de Lorraine (Mondes hispanophones), 128 p.
DOI:
https://doi.org/10.17230/co-herencia.22.43.15Keywords:
Erika Diettes, Sudarios, Río abajo, violence in Colombia, Missing persons, Armed conflict , Relicarios, Memory, Victims, ArtAbstract
The book El Objeto como reliquia. The Artistic Work of Erika Diettes, published in 2025 by Éditions de l'Université de Lorraine, was edited by Virginia de la Cruz Lichet and Luis Carlos Toro Tamayo. The book contains seven texts in which authors of different nationalities and fields of knowledge (art criticism, philosophy, aesthetics, history, and memory studies) reflect on one of the artist's largest and most widely circulated works, Relicarios (2011-2016).
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
Attribution 4.0 International (CC BY 4.0)
You are free to:
- Share — copy and redistribute the material in any medium or format
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
-
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Avisos:
- No tiene que cumplir con la licencia para elementos del material de dominio público o cuando su uso esté permitido por una excepción o limitación aplicable .
- No se dan garantías. Es posible que la licencia no le otorgue todos los permisos necesarios para el uso previsto. Por ejemplo, otros derechos como la publicidad, la privacidad o los derechos morales pueden limitar la forma en que utiliza el material.