Vol. 14 No. 26 (2017)

Pórtico

• Cerbeleón Pinzón and the Public Peace

  Patricia Cardona Z., Carolina Céspedes

  13-22

  • PDF (Spanish)
  • XML (Spanish)

• On the Public Peace

  Cerbeleón Pinzón

  23-56

  • PDF (Spanish)
  • XML (Spanish)

• " Scenographies of Evil " From the aesthetics of horror to infamous characters

  Ivan Godoy Contreras

  59-86

  • PDF (Spanish)
  • XML (Spanish)

• The bio-political government of society. Victimized Identities and punitive mobilizations

  David Enrique Valencia Mesa

  87-118

  • PDF (Spanish)
  • XML (Spanish)

• "Agenesis" as a pathology of civilization and its scope in the capitalism of flexibility

  Borja García Ferrer

  119-150

  • PDF (Spanish)
  • XML (Spanish)

• Critique, care of the self and entrepreneur of the self. Resistance and government in Michel Foucault

  Mauro Benente

  151-176

  • PDF (Spanish)
  • XML (Spanish)

• The Simondonian project: the individuation of the being in the process of becoming

  Isabella Builes Roldán, Horacio Manrique Tisnés, Carlos Mario Henao Galeano

  177-205

  • PDF (Spanish)
  • XML (Spanish)

• The concepts of goodness and work in Unamunian ethics

  Emanuel José Maroco dos Santos

  207-233

  • PDF (Spanish)
  • XML (Spanish)

• Theology and aesthetic experience: the place of the image against the notion of Revelation in Martin Luther and John Calvin

  David Ricardo Luna-Vinueza

  237-256

  • PDF (Spanish)
  • XML (Spanish)

• Collective music spaces during and after the armed conflict as places for the preservation of the social fabric

  Andrea del Pilar Rodríguez Sánchez, Alberto Cabedo Mas

  257-291

  • PDF (Spanish)
  • XML (Spanish)

• Punishment and deliverance in "The death of the Acacia" by Marvel Moreno

  Mercedes Ortega González-Rubio, Julio Penenrey

  295-316

  • PDF (Spanish)
  • XML (Spanish)

• Dying for love? Illness and death in four novels by Soledad Acosta de Samper (1833-1913)

  Azuvia Licón Villalpando

  317-339

  • PDF (Spanish)
  • XML (Spanish)

Book review

• Narratives on tenterhooks (2016). Academic editors: Clemencia Ardila, Luis Fernando Restrepo, Sergio Villalobos-Ruminott. Medellín: Fondo Editorial Universidad EAFIT, 230 p.

  Carlos Andrés Salazar Martínez

  345-347

  • PDF (Spanish)
  • XML (Spanish)

Art review

• Notes about the instant, memory and gestures in Maria Teresa Cano's work

  Jorge Lopera Gómez

  351-362

  • PDF (Spanish)
  • XML (Spanish)