Music and orality as forms of literary archaeology the silenced memories of slavery
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Keywords
Gayl Jones, feminine blues, literary archaeology, Quilombo dos Palmares, diaspora
Abstract
This article intends to analyze the literary archaeology undertaken by Gayl Jones, the American writer who makes use of literature as a means for historical review. In her narrative poem, Song for Anninho, Jones combines music, poetry, and orality in order to rebuild the memory of resistance of Quilombo dos Palmares, a settlement of fugitive slaves founded in Northeastern Brazil in the early seventeenth century. This combination is achieved through the imagination and historical facts and from the feminine perspective that incorporates the modern meanings of the blues. Thereby, this epic poem is actually a hybrid song, which in the voice of a woman, links Brazil and the United States through diaspora and slavery.
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Article Details
M Rocío Cobo Piñero, Universidad de Sevilla
Doctora en Filología por la Universidad de Sevilla (España, 2014), en cotutela internacional con la Universidade Federal do Espírito Santo (Brasil). Anteriormente, cursó un "Máster en enseñanza del español como lengua extranjera" (2010), por la Universidad Pablo de Olavide de Sevilla (España), y "Master of Arts" (2001), por la University of Pennsylvania (Estados Unidos). Es investigadora independiente en la Universidad de Sevilla (Grupo de Estudios Norteamericanos) y en el Centro de Estudios de las Migraciones (CIM, Universidad de Huelva). Desarrolla investigaciones en torno a escritoras de la diáspora africana, movimientos migratorios y sus representaciones culturales.
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