Guido of Arezzo: between mistake And serendipity
DOI:
https://doi.org/10.17230/ricercare.2017.7.2Keywords:
Guido de ArezzoAbstract
Few ideas have endured and impacted the history of Western music as Guido de Arezzo’s musical notation, which was formulated almost thousand years ago. This article contextualizes the contribution of the Archaean monk from a political perspective, within the framework of early Christianity and its search for unitary dogmas. From here arises a critical observation of those results, relating Guido’s original intentions with the later development of his ideas. The characteristics of his system gave an impetus to the Pythagorean approach to music, which unwittingly paved the way for many of the principles that operate in our musical life today. With this in mind, we analyze what Guido did not do and how those shortcomings opened the possibility for the distortion his original ideas.Downloads
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