Articulating frets. About articulation as structuring element of the musical performance of the guitar
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Keywords
Adaptation, Articulation, Musical discourse, Fingering, Perfomance, Repertoire for solo guitar
Abstract
This article approaches the articulation in music as a structuring element to perform the universal repertoire for solo guitar. For that purpose, we start from the conception of music as a language and musical pieces as discourses for which technique has to be at service. The goal is then structuring the fingering process for the performance of the pieces, both those that were conceived for the guitar as well as those that are adaptations of pieces written for other instruments.
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Emanuel Estrada Yarce, Universidad EAFIT
Colombian, Master in Music from EAFIT University with emphasis on classical guitar. Professor of Inside Continuing Education, Music area, EAFIT University.
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