Melodic figuration critical review and defiguration analytical methodology based on layers

Main Article Content

Gustavo Yepes

Keywords

figuration, cell motive, nuclear tone, nuclear melody, layers, satellite tones, distant, neighbor or unison figuration tones

Abstract

Our project on the rhythmic and melodic figuration critical review, produced a new Methodology on the detailed analysis of the modal or tonal melodic foot or motive, based upon the following hypothesis, successfully tested during the process of research, on musical excerpts collected in an Anthology of analyzed examples. The attention was focused on the motive or musical word, whose structure is assembled around a nucleus tone, root or lexeme, and contains this last principal morpheme and other prior or following satellite tones, ordered in several possible layers according to these successive steps: nuclear tone, first order figuration, second order figuration and so on until the original melody is completely assembled.

Downloads

Download data is not yet available.
Abstract 733 | PDF (Español) Downloads 1118

References

Agawu, K. Playing with signs. A semiotic interpretation of Classical Music. Princeton Un. Press. 1991.

Bernhard, Tractatus compositionis augmentatus.

De Saussure, Ferdinand. Cours de Linguistique generale. Payot, Paris, 1916.

Donington, Robert. Baroque Music / Style and performance / A Handbook. Norton, London, 1982.

Flechsig, Hartmut. Studien zu Theorie und Methode musikalischer Analyse. 1977.

Forte, Allen. Intrroducción al Análisis Schenkeriano. Ed. Labor, Barcelona, 1992.

Grauer, V. A Field theory of Music Semiosis. Music Th. on line, 2000

Grabner, Hermann. Teoría general de la Música. Akal editores Madrid, 2001.

Kennan, Kent. Counterpoint. Prentice – Hall Inc. Englewood Cliffs, NJ 07632, 1987

Lerdhal F. and R. Jackendoff. Teoría generativa de la Música tonal. Edic. Akal, 2003.

Salzer, Felix, 1962, Structural Hearing: Tonal Coherence in Music, Dover, New York.

Schenker, Heinrich, 1969, Five Graphic Music Analysis, Dover, New York.

Schônberg, Arnold. Funciones estructurales de la Armonía. Ed. Idea Música, Barcelona, 1999.

Torre Bertucci, José. Tratado de Constrapunto. Edit. Ricordi Americana. Pág. 38. 1a. edic., 3a. reimpr. Buenos Aires, 2005.