Elementos de análisis musical macroformal. Un acercamiento a las relaciones entre movimientos del op. 25 de A. Ginastera

Abstract

This study intended to identify relationships of musical unity by applying our macroformal analysis to Ginastera´s Harp Concerto Op. 25. For this purpose, seven factors of music analysis were classified and applied to this work, which helped to identify significant musical unity relationships between the movements. The project is the result of a needed contribution to the apparent bibliographical scarcity on music macroanalysis theories and methodologies, a discipline that should allow an analytical approach to the possible relationships between the movements of a specific work. We hope that this work provide a complementary perspective to the traditional dimensions of the micro- and mesoformal practice and analysis.