"Fantasía en 6/8", the story of one bambuco through the history of bambuco

Main Article Content

Vanessa Jordán Beghelli
Universidad del Cauca

Martha Lucía Vargas Ante
Conservatorio Antonio María Valencia - Instituto Departamental de Bellas Artes, Cali

Paula Andrea Largo Pineda
Conservatorio Antonio María Valencia - Instituto Departamental de Bellas Artes, Cali

Keywords

musical interpretation, hermeneutic method, bambuco, Fantasía en 6/8, José Revelo Burbano

Abstract

This article is a qualitative and hermeneutic review about the historical context of Fantasia en 6/8, which is in the style of bambuco, a traditional music from Colombia, and composed by the Colombian musician José Revelo Burbano. The purpose of this review is to expand the social, esthetic and musical perspective of this music piece that has been well recognized in several ways and was conceived using academic and folk music elements. Following the order of these ideas, the history of Fantasia en 6/8 was reconstructed taking into account the historical evolution of bambuco, as well as the context of its conception according to the perspective of the composer. Consequently, it is expected that this review will increase the knowledge of the original Colombian repertoire for Clarinet and Guitar, enriching the possibilities of the musical interpretation in relation to the historical context and significance of this traditional music piece.

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Published
Dec 12, 2016
DOI https://doi.org/10.17230/ricercare.2016.5.4

Article Details

How to Cite
Jordán Beghelli, V., Vargas Ante, M. L., & Largo Pineda, P. A. (2016). "Fantasía en 6/8", the story of one bambuco through the history of bambuco. Ricercare, (5), 46–62. https://doi.org/10.17230/ricercare.2016.5.4
Issue
No. 5 (2016)
Section
Artículos
Supporting Agencies
Author Biographies

Vanessa Jordán Beghelli, Universidad del Cauca

Colombian Psychologist of the Pontificia Universidad Javeriana, Cali, Colombia. Master in Psychology, Research Plan of the National University of Colombia, Bogotá headquarters. Student of the Traditional Music Program of the Popular Institute of Culture IPC, Cali, Colombia. PhD Student in Music, Musical Education line, of the National Autonomous University of Mexico, UNAM. Director of the Foundation for Human Development and the Arts (Develop yourself). Teacher of the Master in Music of the University of Cauca. Coordinator of the Develop Group: Music, Arts and Human Development and the Tamborimba Research Group of the Tamborimba Foundation

Martha Lucía Vargas Ante, Conservatorio Antonio María Valencia - Instituto Departamental de Bellas Artes, Cali

Master in Musical Interpretation with emphasis on Classical Guitar of the Antonio María Valencia Conservatory - Departmental Institute of Fine Arts, Cali. Master's Student in Music Theory of the Technological University of Pereira. Professor at the Antonio María Valencia Conservatory. Member of the Development Group Develop: Music, Arts and Human Development.

Paula Andrea Largo Pineda, Conservatorio Antonio María Valencia - Instituto Departamental de Bellas Artes, Cali

Master in Musical Interpretation with emphasis on Clarinet of the Antonio María Valencia Conservatory - Departmental Institute of Fine Arts, Cali, Colombia. Master's Student in Music with emphasis on Clarinet Interpretation from the University of Cauca, Colombia. Professor at the Antonio María Valencia Conservatory. Clarinetist of the Departmental Band of Fine Arts, Cali, Colombia. Member of the Development Group Develop: Music, Arts and Human Development.

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